The ABCs of Book Writing: INTERMISSION

The series "The ABCs of Book Writing" is half done, with A to M completed last week. The series will resume in July as "Book Writing ABCs, with "N is for NEW." During this intermission period, go to https://www.facebook.com/HelpingYouGetPublished.FreelanceEditing/ for announcements and other posts on book writing and publishing.

For an overview of infographics and other visuals illustrating book writing from A to M, go to:
https://www.pinterest.com/helpingyougetpublished/the-abcs-of-book-writing-a-m/

The ABCs of Book Writing: J is for JUST write . . .

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. . . and JUST why you should.

In the real world of professional authorship, the bottom line is: writers write. Over the course of a career some authors will produce dozens, perhaps even hundreds, of books, articles, and reviews. Others may produce only a handful and build a career by combining writing with speaking, teaching, or consulting. How prolific you are depends on a number of personal and professional factors—for example: whether or not you have a day job, your health and energy, your family and domestic obligations, and the type of writing you do. Regardless of your individual situation, what you don't want to be is a one-book author.

Why writers must keep writing

There are four basic reasons why there is no downside to your being as prolific a writer as you can manage to be:

1. Writers must keep writing for the obvious reason that this is the only way to produce a sufficient amount of work to reach others. The more you produce, the more likely you are to find markets and draw readers.

2. Writing continuously is the only way to significantly grow as a writer. In the course of producing one book, you may gather momentum and hone some skills. But without continuing to write, it is hard to imagine maintaining your craft, let alone improving on it.

3. The more you write, the more likely you are to be successfully published. It is difficult to break into the market as a first-time book author with absolutely no credentials. Agents, publishers, and readers will be swayed in your favor if you have some writing credentials, such as book reviews, journal or magazine articles, or anthology contributions. Now that publishing credentials can be obtained through both print and digital sources, it's hard to justify wanting to be a book author while remaining totally unpublished.

4. To keep on writing is to be a professional. Even if you have just finished a magnum opus, you have no excuse to hang up the quill pen or power down your computer. If you work hard at your manuscript and persevere with querying agents and publishers, or with marketing your self-published book, your work will eventually attract someone who can take you to the next level. But odds are, that someone will not only value prior writing credentials but will also want you at least to have a second book in progress.

Strategies to keep you writing

Ideally, while you are working on one book—presumably your main project—you should be writing something else as while. If this is absolutely not possible for you, then once the main project is completed, immediately begin the next book or some other writing project, preferably one related to your newly completed book.

Strategies that will keep you writing can be as many and as varied as writers themselves. Here are a few for you to try and to adapt to suit yourself and your situation:

—While writing one book, research, plan, make notes on, and write snippets of the next book.

—Seek out book reviewing opportunities. Start but don't stop with Amazon, Smashwords, and Goodreads.

—While writing one book, work on another in a different but related genre, to keep you fresh in both. Examples of possible pairings: science fiction/popular science; contemporary romance/romantic suspense; detective fiction/true crime; popular history/historical fiction; cozy mystery/period mystery.

—Write articles or short stories related to your current book in progress; write and send out queries for these.

—Start, and work hard at, a blog related to your book.

—Look for related blogs to contribute to as a guest.

—If your book is part of a series, make notes on, or write drafts of, later books in the series.

—Just for fun, write fan fiction. It could grow your author platform.

—If all else fails, write journal or diary entries. These will not likely be publication ready anytime soon, but maybe someday . . .

Just keep writing

However you choose to do it, stay continuously involved in the writing process. Some of us must devote time and energy to day jobs, and we all need downtime. But succeeding as a book author means never entirely walking away from writing, whether it's a book you're working on or something—anything—else that qualifies as potentially publishable written work.

Writers write.

Coming next week . . . "K is for KNOWING what you don't know"

The ABCs of Book Writing: D is for DISCIPLINE . . .

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. . . and DEVELOPING it now.

"Apply seat of pants to seat of chair." Today, the old tried and true formula for disciplined writing might be extended to include: "Park feet in front of standing desk"; or: "Tap finger on touch screen"; or: "Direct voice to speech-recognition software." The trouble is that all such admonitions are more easily uttered than acted upon.

However you choose to write, finding the time and discipline to do so is a challenge. Life—in particular, the day job—tends to get in the way of your best-laid plans to establish a writing regimen. Apart from the imperative to work and pay bills, buy groceries, and keep a roof over your head, even writers need to spend time with friends and family, get some exercise and fresh air, sleep a few hours, and just chill out.

So when do you write? 

Choosing a time of day to write

Your choice of a time, or times, to write will depend on a number of variables: for example, whether you are a morning person or a night owl, the quiet or chaos in your household, and the demands of your employment. Most writers that I know either get up early and write before going to work, or they write in the evening after dinner. A few energetic types manage to write both early and late in the day. Those whose "day jobs" are at night, or who work changing shifts, have to create their own versions of the before-work and/or before-bed writing sessions. Some particularly motivated multitaskers may also manage to get in some extra writing time during lulls in the workplace, coffee breaks, and lunch hours.

The writing session 

How long should each writing session be?

For significant progress, plan for sessions of at least an hour each; more ideally, two to three hours.  On a good day, you can produce a reasonable quota in an hour. On other occasions, the words do not come so readily and you will need two or three hours to grind out what might not even amount to a minimum daily quota. Don't worry unduly about the less productive sessions. Over time, the good and not-so-good days average out, and the slow sessions, while frustrating, are nonetheless part of an overall forward progression.

How often should you write?

Obviously, the more days per week that you can manage to write, the better. But if you're working at your employment twenty to forty or more hours a week, you are unlikely to be able to write daily or even every other day. The good news is that you don't have to write that often. In fact, to produce a book-length manuscript in reasonable time, you really only have to write one to three hours three times a week, or some equivalent of that. Here's why:

Word count: The mathematics of writing a book

All you need to write at each session is a comparatively modest 550 words—approximately two double-spaced pages. On a good day, you will do this in an hour or less. On those other days, you might well need a two- to three-hour session. Either way, if you produce just 550 words three times a week, that's a weekly total of 1650 words. Multiply that by the 52 weeks in a year—and there you have it: a finished draft of 85,800 words. This is an acceptable length for all but a few specialty subgenres (some of which may even require fewer words)—and you can congratulate yourself on having written a book in a year.

Typically, as writing progresses, momentum grows, and you could increasingly surpass your session quota. If so, then you would in fact produce an entire book manuscript in a matter of months. When you get the hang of it, disciplined writing doesn't require as much discipline as you once might have thought!

Coming next week . . . "E is for EMAIL"

The ABCs of Book Writing: C is for CHAPTERS . . .

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. . . and CREATING a book structure.

The most common and important unit of division in most kinds of books is the chapter. Books may be divided solely by chapters; or they may be divided by chapters that are further divided into sections or scenes. In many books, chapters are also grouped in parts or even in books within the main book. For artistic or informational reasons, a few books consist only of sections or parts or some other divisions that may or may not function as, or resemble, chapters. I will refer mainly to chapters in this discussion, but what is said will in most cases apply equally to books structured by other kinds of divisions.

Designating chapters 

Nonfiction works typically use numbers and titles to designate chapters. Novelists these days usually opt for numbers without titles or numbers each prefaced by the word chapter. Some authors of fiction have reinstated an earlier practice of both numbering and naming chapters. Some works of fiction and nonfiction may have chapter titles without numbers. Before writing, you may wish to come up with working titles (which can be changed as needed in the course of writing) or simply think of your chapters as numbered units.

Creating a working book structure 

Start with a basic concept of the ordering of your book's chapters (or groups of chapters or episodes within chapters). Then you sort your notes and thoughts accordingly. You may accumulate and conceive these in any order, which tends to be how the creative process works. But then you organize them according to your planned book structure.

I use a combination of physical file folders and computer folders to put my ideas in, with each folder labelled by chapter number and working title. Very short chapters may be grouped into parts, similarly labelled by number and/or by working title or main theme. For note taking and idea jotting, small-sized notepaper, recipe-type cards, and short computer documents/texts are the best choices for easy sorting and reference. Give each note or related group of notes a title or label so you know at a glance what it is about. If you go in for too-lengthy notes without clear labels, you will find yourself in the predicament that I described in "B is for BLOCK"—overwhelmed and blocked by too much text as you struggle to find the idea or information that you need in order to keep writing. Your chapter file folders, each containing individual notes and ideas, constitute your book's working structure. When I come to write a specific chapter, I pull the file with my labelled notes and ideas, sort them into what seems to be a sensible order—by theme, chronology or plot—and write away.

Your chapter files and working book structure keep you oriented as you write and defend against writer's block. Your organizational system allows you to add thoughts quickly, file them without getting confused, bogged down, and then blocked. You can even write out of numerical chapter order to stay fresh and productive when you perhaps are struggling or bored with one chapter. Leave it for a while and start another, and then go back and forth, if you wish. Write the whole book out of order if that pleases you. You are free to do so because, with the aid of your organizational system, you carry the whole book structure in your head, with each chapter's specific notes, ideas, plot twists, episodes, character sketches, research, sources, and quotes organized for reference whenever you need them.

To outline, or not . . .

Your ideas may be monumental,

but they are not cast in metal or

carved in stone. The same should 

be true of your organizational

system and book structure.

You might think of your organizational system as a kind of outline. There remains the question of a more formalized outline—that is: Do you need a written-out, detailed book outline in addition to your organizational system? Seasoned writers are divided on the value of such an outline.

I personally work from my sense of the overall structure in conjunction with my files and have not found a need to spend creative energy devising an additional outline. If you, however, feel that you need a detailed outline for writing confidence or memory jogging, then so be it. But don't allow the outline to constrain you and limit the introduction of spur-of-the-moment ideas that could make a crucial difference to your book and its success. Think of your outline not as cast in bronze or chiseled in granite. Think of it instead as something changeable and fluid—like the weather, or a river with many streams that might bear exploring.

Flexible book structure and chapter organization

It is also advisable to remember that your working book structure is just that—a work in progress, and subject to rethinking and reordering. You can have a reasonable working structure from the outset, but be prepared for some surprises as the writing progresses. For instance, you might discover that what you thought would be a great chapter 4 is too short to stand alone and should in fact be a section of chapter 3. On the other hand, your imagined, perfect chapter 10 is now going on and on, and really needs to be divided into two, or even three, chapters. It all becomes clear as you write, create, and re-create.

The point to remember is that planning and organizing to write, and actually writing, are related but different activities. A good working structure will ease your writing and go a long way toward eliminating block. But this structure must be flexible enough to shift as your ideas shift. Like creativity and writing, planning and organizing should be dynamic processes that have constant potential for change and improvement. Otherwise, your organizational system is not worth the price of file folders.

Organization creates structure, enhances clarity, and sustains focus. A flexible structure promotes ongoing inspiration.

Coming next week . . . "D is for DISCIPLINE"

The ABCs of Book Writing: A is for ASPIRATION . . .

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 . . . and ALL that goes with it!

No book truly begins with page one or even with the first word you write down or type into a computer. Many authors, long before they actually became authors, began their careers with aspiration, an unrelenting desire to live and breathe the literary life. Such aspiration can emerge at any age, from childhood to the golden years. It can be a heady personal experience, as it is often accompanied by grand dreams of fame and fortune, seemingly boundless creative energy, enough ideas to make your head spin, and a vision of authorship—your own—that could change your life and even the world.

The writer Jacques Barzun (On Writing, Editing, and Publishing) well understood the psychology of the aspiring writer. The dream of authorship is a worthy one, he had no doubt, but he also posed the cautionary question that new writers must ask themselves: "Do I want to write—or to have written?" He concluded that "practicing to write well and finally writing well will repay." In other words, aspiring to authorship must in reality be aspiring to write. It is fine, probably essential, that your vision of authorship includes grand dreams, but your sights must also be trained on the more earthbound task of developing your craft as a writer.

Nurture your dreams, cultivate your creativity, plant your ideas, and grow your vision of what being a book author means to you. At the same time, prepare to write well:

• Read some good books. Choose your favorites from the present day, but also dip into works of the past to expand your knowledge of all the many possibilities of book writing.


• Take a writing course or attend a workshop. Writing courses and workshops are a mixed bag, but even the least of them will get you writing and thinking about the many facets of the act and profession of writing.


• Above all, learn about writing and how the pros do it. There are many excellent books on the craft of writing. Among my favorites are William Zinsser's classic guide to writing nonfiction, On Writing Well; for aspiring fiction authors, I recommend Self-Editing for Fiction Writers, by Renni Browne and Dave King.

You owe it to yourself and your aspiration to read, to study, and to learn. Strive to write and to write well—or at least as best you can. Keep at it and, as Barzun put it, "Editors and publishers will seek you out, the public will be carried away with love and gratitude."

Hmm . . . these days, maybe not. On the other hand, someone who counts might like your query letter and eventually someone else might write a nice review on Amazon. Either way, you'll be realizing your passion.

Coming next week . . . "B is for BLOCK, writer's"

The ABCs of Book Writing: Series introduction

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Most things, including book writing, begin with the basics.

This blog series is about those basics that apply specifically to creating a book. It is about how—at the most fundamental level, from A to Z—effective books are started, get written, and develop a better than-average-chance of successful publication.

In this series, I am not offering a comprehensive guide to discovering your voice or polishing your style or plotting a novel or composing your memoirs or writing commercial nonfiction or getting published. Rather, this series will be a mix of insights, reflections, a few personal anecdotes, and some practical advice about creating a functional, commercially viable book—pretty much any sort of book. Throughout this series, I will be trying to shed light on both the pleasures and pitfalls, the successes and shortcomings, that typically go with writing a book. While there are all kinds of books (and diverse authors producing them), my aim is to focus on what is most likely to be the common experiences and demands that many authors face, regardless of their genres or intended readers. My wish is to smooth your progress along what I have observed to be the bumpiest stretches of road on the way to successful book writing and publishing.

Starting next week, articles will appear weekly here, in the Helping You Get Published blog,  and I will share them via links on my main Helping You Get Published website and in the following social media:


—Facebook
—LinkedIn
—Pinterest
—Twitter

As much as the content allows, articles will include supporting infographics and/or other visuals.

The first ebook—title secret

until release—will be FREE,

with or without purchasing

any other book in the series.

In writing this series, I am thinking mainly of the first-time book authors who may be approaching the start, and each subsequent stage, of the book writing journey with an uneasy mix of hopefulness and uncertainty. I also suspect that many authors who are not beginners, but who have gone a long while between books, and/or may be changing genre, might find these ABCs to be a useful refresher course. In fact, I am, myself, at work on a series of ebooks on writing and publishing—which will elaborate on what I do not cover in this blog series. I hope to release at least the first three of these ebooks by the end of 2017 or early in 2018. Not only is this my first attempt at writing several books at once, but I am doing so after a hiatus from book writing and while I continue to do my long-standing day job of manuscript assessing, book editing, and literary consulting.

From this point onward, we'll navigate the writing process and the book trade together. From A to Z—from the awareness of wanting to write a book, to zeroing in on publication opportunities—this blog series is for you. And no less for me.

Coming next week . . . "A is for ASPIRATION"

Why Join the Writers' Union of Canada (TWUC)?

The many answers to the above question have been tweeted @twuc and can also be found on Facebook at TWUC #WhyIJoin. Here's my contribution to TWUC's #WhyIJoin initiative...

From the first article I ever published, to later books, I always wanted as much professional information about writing and publishing as I could get. In the early days of my career, this was a challenge. But now, TWUC keeps me informed on the latest issues and trends that are crucial to professional book authors. So here, in a word--and a video--is #WhyIJoin: PROFESSIONALISM

Subject to a peer review of the commercial viability of their books, self-published authors can now join TWUC.